Museum in Bruges

Museum in Bruges

Some places are so special, so breathtaking or so unique that you simply have to see them.

Bruges is filled to the brim with wonderful witnesses of a prosperous past.

Although the Flemish primitives are undoubtedly Bruges’ showpiece attraction, museum devotees in search of much more will not be disappointed.

Indeed, the Bruges range of attractions is truly magnificent.

From modern plastic art by way of Michelangelo’s world-famous Madonna and Child to the brand new Lace Centre.

It’s all there for you to discover!

Museum Arentshuis

The beautiful  Arentshuis fills its ground floor with temporary exhibitions of visual arts that link up with the Groeninge collection, such as the rich collection of prints and drawings from the Steinmetz cabinet. The upper floor is dedicated to the oeuvre of the versatile British-Bruges artist Frank Brangwyn.

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Groeningemuseum

Six centuries of Belgian visual arts in one location, with work by Flemish primitives such as Jan van Eyck, Hans Memling and Gerard David, neo-classicism by Joseph Odevaere and Joseph Ducq, Flemish expressionism, and 20th century modern art by René Magritte, Roger Raveel, Raoul De Keyser

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Diamond Museum

Discover the secrets of the mysterious diamond world during our daily Diamond Polishing Show. The Diamond Polishing show is excellent value for money and is unique in the world. This makes Diamond Museum Brugge one of the foremost educational establishments on diamonds in the world!

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Museum of Folk Life

In these renovated workers’ houses you will discover more about daily life in Bruges during the 19th and early 20th centuries. You will visit a classroom, tailor’s workshop, pharmacy, confectionary and grocery store. The top floor is reserved for temporary exhibitions. A confectioner fills the museum with sweet scents every first and third Thursday of the month. You can take a break in the museum inn and its atmospheric inner garden, where you can also try a selection of folk and children’s games.

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Chocolate Museum ( Choco-Story)

The museum dips its visitors in the history of cocoa and chocolate. From the Maya and the Spanish conquistadores to the chocolate connoisseurs of today. Children can explore the museum via a fun chocolate search game. Chocolates are made by hand and sampled on the premises. A 5-minute walk brings you to Vlamingstraat 31, where you will find the Choco-Jungle Bar, which is also part of the museum.

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Fries Museum

This didactical museum sketches the history of the potato, Belgian fries and the various sauces and dressings that accompany this most delicious and most famous of Belgian comestibles. The museum is housed in Saaihalle, one of Bruges’ most attractive buildings.

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Historium Bruges

Go back in time and experience the bustling city of Bruges in the Golden Age in various ways. Hear the exciting tale of Jan van Eyck's apprentice in the Historium Story, featuring film, decors and special effects. In the Historium Virtual Reality, you can take an impressive virtual flight past the 15th-century architecture, including the Water Halls, a large storage area that stood on the Market Square for five centuries. Climb the Historium Tower and enjoy a unique 360° view of the modern city and take a selfie with the Belfry in the background. An attraction in Bruges that should not be missed.

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Museum Liberty of Bruges

From this mansion, the Liberty of Bruges (the countryside in a wide area around the city) was once governed. The building functioned as a court of justice between 1795 and 1984. Today, the City Archive (amongst other things) is housed here, which preserves the city’s written memory. The premises also boast an old assize court and a renaissance hall with a monumental timber, marble and alabaster fireplace from 1528. A tribute to Emperor Charles V (1500-1558), it was made by Lanceloot Blondeel.

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Museum Gezellehuis

This literary and biographical museum about the life of Guido Gezelle (1830-1899), one of Flanders’ most famous poets, was established in the house where he was born, situated in a peaceful working-class district of the city. Here you can discover his life and works, based on five main themes. Visit also the shaded gardens with biological vegetable gardens, an ode to the natural beauty which so inspired Gezelle. An oasis of green tranquillity in an authentic district of Bruges. At the museum entrance ‘The man who inspires others’ by Jan Fabre inspires all visitors with the fire of poetry.

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Gruuthusemuseum

In the museum you can journey through three crucial periods in the history of Bruges. First of all, there is the city’s Burgundian heyday, followed by the previously underexposed period during the 17th and 18th centuries, before finishing with the ‘rediscovery’ of Bruges in the 19th century neo-Gothic style that is so typical of the city today. These three periods are brought to life by more than 600 exhibits, each of which has its own story to tell. From majestic tapestries to Gothic stained glass, from elegant wooden sculptures to refined historical lace, from the paintings of different periods to a 17th and 18th century dinner table, set with silver cutlery and luxurious Chinese porcelain. The motif running through the display is ‘Plus est en vous’ (There is more in you), which was the motto of Louis of Gruuthuse, the man who first gave the palace its spectacular grandeur in the 15th century.

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History in a nutshell

Although the Bruges region was already populated in Roman times, the city’s name appears for the first time in the 9th century, probably derived from the Old Germanic word ‘brugj’, which means ‘mooring’.

Bruges has always had a special bond with the sea. After all, water played a crucial role in the city’s foundation.

It was the place where several streams merged into a single river (the ‘Reie’), which flowed north into the coastal plain. This river was linked to the North Sea through a series of ‘tidal channels’, guaranteeing the city’s future welfare and prosperity.

A favourable location

In the early Middle Ages, Bruges developed into an international and bustling trading city with its own port, made possible by its favourable location and connection with the sea.

At the same time, the fortified town became a powerful political stronghold, thanks to the presence of the Flemish Counts, who ruled over the County of Flanders. In the 13th century, Bruges was the leading trade centre of northwestern Europe.

Merchants from all over Europe settled in the city and the world’s first ever stock exchange (‘Beurs’ in Dutch) was founded in Bruges.

These market activities took place on a square in front of the house owned by a powerful family of brokers, the Van der Beurse family.

As a result, their name became linked for all time with this kind of financial institution. In spite of the typical medieval maladies, the citizens of Bruges prospered, and soon the city developed a magnet-like appeal.

Around 1340, the inner city numbered no fewer than 35.000 inhabitants.

The golden century

The success continued and in the 15th century, Bruges’ golden century, business was better than ever before.

This was due to the fact that from the end of the 14th century, Flanders was part of the realms of the dukes of Burgundy.

They expanded their presence in Bruges, turning the city into a cultural and commercial centre that was second to none. In addition to the traditional broadcloth, numerous new luxury goods were now produced and sold.

Famous painters such as Jan van Eyck and Hans Memling – the great Flemish primitives – found their creative niche here.

The fine arts flourished, and in addition to wonderful churches and unique ‘nation houses’ (embassies), the monumental town hall was also completed. Bruges’ success seemed imperishable.

Decline

The sudden death in 1482 of the much loved ruler, Mary of Burgundy, heralded the start of new and less fortunate times for the city.

The relationship between the citizens of Bruges and their lord, the widower Maximilian of Austria, turned sour. The Burgundian court left the city, with the international traders following in its wake.

To make matters worse, Bruges’ connection with the sea quickly silted up. The Golden Age had passed and was succeeded by long eras of war and regime change.

By the time Belgium gained independence (1830), Bruges was a poor and impoverished provincial city. Strangely enough, its fortunes were changed for the better by the writing of a novel.

Revival

In Bruges la Morte (1892), Georges Rodenbach aptly describes Bruges as a somewhat sleepy, yet extremely mysterious place. In particular, the 35 pictures that were included in the book for illustrative purposes sparked his readers’ curiosity.

Soon Bruges’ magnificent patrimony was rediscovered and its mysterious intimacy turned out to be its greatest asset. With great care, Bruges took its first steps into tourism.

The age-old desire to be connected with the sea resulted in the development of a new international seaport at the end of the 19th century, which was given the name of Zeebrugge.

Bruges today

During the First World War, Zeebrugge became the operational base for the German submarine fleet, coordinated from their headquarters on the Market Square in Bruges.

Fortunately, both world wars left the historic city centre virtually unscathed, making Bruges increasingly appealing to visitors and culture-lovers alike.

Its beauty and attraction was confirmed in 2000, when UNESCO classified the entire medieval inner city as a world heritage site.

The rest, as they say, is history.